New Delhi, Her quirky portrayal of the naive, dim-witted Hansa Parekh in “Khichdi” made her a 2000s TV icon, though actor Supriya Pathak now has little curiosity in tv, saying the medium declined as soon as it shifted towards daily-soap codecs.
Describing her lengthy stint on tv from “Idhar Udhar” and “Ek Mahal Ho Sapno Ka” to “Baa Bahoo Aur Baby” and “Chhanchhan” as its “golden interval” and something that she is proud of, Pathak lamented that the medium today, driven by daily soaps, prioritises quantity over quality.
“Once television shifted to daily soaps, its quality really suffered. It became more about how much you could finish in a day rather than what kind of work you were doing. If you managed 15 minutes of footage, they’d say, ‘Great, it’s been a good day,’ though no one cared about how good those 15 minutes actually were. That’s when, for me, television started going downhill.
“Even today, I still get role offers, yet I don’t feel like taking them on. I’m not interested in watching television either, even if I had the time,” Pathak, who was in the capital last month to perform at the sixth edition of Delhi Theatre Festival, told PTI.
Pathak’s disappointment is not limited to the working of the TV medium alone.
She is equally dissatisfied with OTT productions in India for their “similar kind of storytelling”, whereas discovering content material from around the globe on these platforms to be “far better, more diverse, and higher in quality”.
The 64-year-old actor’s main grievance with OTT at the moment is that after one topic works, there are makers able to bankroll a number of extra initiatives on the identical traces.
“I don’t think we need that. I mean, if we have a possibility of making 10, then because one has worked, why make the other nine the same? Why don’t we work? Let’s make other nine different,” she mentioned, including that she is just not a fan of the express use of unhealthy language in streaming platforms and prefers Indian tales to be portrayed of their entirety, quite than in remoted pockets.
Be it OTT or tv, Pathak wonders whether or not it’s the drive for revenue or bureaucratic interference that stops the trade, regardless of being stuffed with proficient individuals, from delivering high quality productions.
This very uncertainty has held Pathak again from carrying the producer’s hat, though she is brimming with story concepts.
“I want to produce stories which I want to tell. But again, I don’t know whether, you know, the kind of stories I want to tell will be the kind of stories that the channels or the OTT platforms would want to tell,” she concluded.
For the unversed, Pathak and her husband actor Pankaj Kapur launched their very own TV manufacturing home, Grass Company, in 1994.
“Mohandas B.A.L.L.B” was the primary serial they produced and acted in, below the banner.
This article was generated from an automatic information company feed with out modifications to textual content.
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