Tom Savini‘s 1990 remake of Night of the Living Dead will have a good time its thirty fifth anniversary with a SteelBook 4K Ultra HD + Blu-ray launch on September 23 by way of Sony.
In addition to the theatrical model, a brand new uncensored lower is included, each newly restored in 4K with Dolby Vision. Supervised by Savini, the alternate lower restores gore that was initially lower to keep away from an X ranking, along with beginning in black and white earlier than transitioning to paint.
“Yes finally,” Savini wrote on Instagram. “Completely uncut, uncensored, and as I intended 35 years ago… it is black and white for a bit, as a homage to the original, and then color opens the curtain to my remake.”
Disc 1 – 4K UHD:
- Uncensored lower
- Theatrical model
- 4K restoration introduced with Dolby Vision/HDR
- Commentary with director Tom Savini on the Uncensored Cut, moderated by Michael Felsher (new)
- Audio: Dolby Atmos (each variations), 5.1 (each variations), 2-Channel Surround (theatrical model)
Disc 2 – Blu-ray:
- Theatrical model, sourced from the 4K grasp
- Audio commentary with director Tom Savini
- Interview with Actor Bill Moseley (new)
- Interview with Actor William Butler (new)
- Interview with Actors McKee Anderson and Heather Mazur (new)
- Interview with Producers John Russo and Russell Streiner (new)
- Interview with Editor Tom Dubensky (new)
- Interview with Zombie Performers Greg Funk and Dyrk Ashton (new)
- Savini’s Night with Director Tom Savini Featurette
- Being Barbara with Actress Patricia Tallman Featurette
- Return to the Living Dead with Special Makeup Effects Supervisors John Vulich and Everett Burrell Featurette
- The Dead Walk: Making-of Featurette
- Theatrical Trailer
- Audio: 5.1, 2-Channel Surround
Seven strangers are trapped in an remoted farmhouse whereas cannibalistic zombies wage a relentless assault, killing (and consuming) everybody of their path.
Tony Todd, Patricia Tallman, Tom Towles, McKee Anderson, Heather Mazur, William Butler, Katie Finneran, and Bill Moseley star.
George A. Romero rewrote the unique 1968 screenplay, with John A. Russo and Russell Streiner returning to provide.
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